**परीक्षित महाराज ने कहा—**

और वे किससे कह रहे हैं? वे किससे बात कर रहे हैं? उत्तरा… उत्तरा। माता उत्तरा, अर्थात् परीक्षित महाराज की माता।

**”तत् कृष्ट्वा महा-प्रेम-रसावेश्यानन्दिता महाविष्णु-प्रिया वीणाहस्तो विस्मितः किल।”**

वे अपनी माता को संबोधित करते हुए कहते हैं—**”हे आर्ये! हे पुण्यशालिनी माता!”**

जब नारद मुनि ने हस्तिनापुर में उस महान भक्त उद्धव के विषय में सुना, तो वे तुरंत द्वारका की ओर दौड़ पड़े।

**”महा-प्रेम-आवेशेन यन्त्रितः।”**

जब उन्होंने उद्धव के विषय में सुना, तब पाण्डवों ने उद्धव की अत्यन्त महिमा का वर्णन किया था। उद्धव के गुण, उनकी भक्ति, उनका भगवान के प्रति प्रेम—इन सबका श्रवण करते ही नारद मुनि महा-प्रेम-रस से पूर्णतः अभिभूत हो गए।

**”महा-प्रेम-रस-आवेशेन।”**

अनुवाद की आवश्यकता नहीं है। वास्तव में “महा-प्रेम-रस” कहना अधिक उपयुक्त है। महा-प्रेम-रस। “आवेशेन” अर्थात् आवेश से।

वे महा-प्रेम-रस से पूर्ण रूप से भर गए थे। अब वही महा-प्रेम-रस, जिसका स्रोत उद्धव थे, उन्हें नियंत्रित कर रहा था। वे उसी महा-प्रेम-रस के अधीन हो गए थे। उनकी अपनी कोई स्वतंत्रता नहीं रह गई थी।

उन्हें कौन संचालित कर रहा था?

**महा-प्रेम-रस।**

वही उन्हें नचा रहा था, बुलवा रहा था, जो चाहे करा रहा था। उनकी अपनी कोई स्वतंत्र इच्छा नहीं थी। वे केवल **”महा-प्रेम-रस-आवेशेन यन्त्रितः”** थे।

**”महाविष्णु-प्रियः।”**

यहाँ नारद मुनि का वर्णन **महाविष्णु-प्रिय** के रूप में किया गया है। वे महाविष्णु के प्रिय हैं, बद्रीनारायण के भी प्रिय हैं। वे उस स्तर के भक्त हैं।

उनके हाथ में वीणा थी, किन्तु भक्तिभाव की तीव्र भावनाओं और आध्यात्मिक परमानन्द से वे इतने अभिभूत थे कि हाथ में वीणा होते हुए भी उसे बजा नहीं पा रहे थे। वे अत्यन्त उत्साहित थे। दौड़ते हुए, उछलते हुए और शीघ्रता से द्वारका की ओर बढ़ रहे थे।

**”सदात् द्वारवती-वासाभ्यासात्।”**

वे द्वारका पहुँच गए। सीधे चले जा रहे हैं। किसी ने उन्हें रास्ता नहीं बताया। कोई यह नहीं कह रहा था कि, **”इधर जाइए।”**

वे सीधे चले, फिर बाएँ मुड़े, फिर दाएँ, और सीधे श्रीकृष्ण के राजमहल के सामने पहुँच गए।

उन्होंने ऐसा कैसे कर लिया?

उन्होंने किसी से यह नहीं पूछा—**”कृपया बताइए, श्रीकृष्ण के महल तक कैसे पहुँचना है?”**

उन्होंने किसी से मार्ग नहीं पूछा, फिर भी वे सीधे भगवान के महल के सामने पहुँच गए। कारण यह था कि वे पूर्व में अनेक बार द्वारका आ चुके थे। इसलिए उन्हें मार्ग भली-भाँति ज्ञात था।

**”अभ्यस्त।”**

अर्थात् वहाँ जाने का उन्हें अभ्यास था।

भागवत में हम पढ़ते हैं कि नारद मुनि अनेक बार द्वारका जाते थे। एक बार तो वे घर-घर जाकर भगवान की रानियों का हालचाल जान रहे थे—वे प्रसन्न हैं या नहीं, उनके यहाँ सब कुछ ठीक चल रहा है या नहीं।

इसी प्रकार द्वारका के बार-बार के दर्शन और वहाँ आने-जाने के अभ्यास के कारण वे बिना किसी कठिनाई के अपने अंतिम लक्ष्य तक पहुँच गए।

उनका अंतिम लक्ष्य क्या था?

द्वारका में श्रीकृष्ण का दर्शन।

मुझे एक घटना याद आ गई। लगभग चालीस वर्ष पहले लंदन में मैंने यह सुना था। कुछ भक्त किसी दिवंगत व्यक्ति के अंतिम संस्कार के लिए श्मशान जा रहे थे। वे जी.पी.एस. की सहायता से मार्ग खोज रहे थे।

जी.पी.एस. कह रहा था—**”पाँच किलोमीटर आगे जाइए… यहाँ मुड़िए…”**

और जब वे श्मशान पहुँचे, तो जी.पी.एस. ने कहा—

**”You have reached your final destination.”**

(सभी भक्त हँसने लगे।)

भक्तों ने यह वाक्य पहले भी अनेक बार सुना था, किन्तु उस दिन उन्होंने सचमुच इस वाक्य का अर्थ अनुभव किया—**”आप अपने अंतिम गन्तव्य पर पहुँच चुके हैं।”**

वास्तव में जीवन का अंतिम गन्तव्य यही है।

किन्तु नारद मुनि का अंतिम गन्तव्य क्या था?

**श्रीकृष्ण के चरणकमल।**

और वे वहाँ पहुँच गए।

**”प्रभु-प्रासादात्।”**

यहाँ “प्रासाद” का अर्थ महल है। यह सचमुच आश्चर्यजनक है कि वे सीधे वहाँ पहुँच गए, क्योंकि वे अतीत में अनेक बार वहाँ जा चुके थे।

**”भूत-विष्टः महोन्माद-गृहीतश्च यथेतरः।”**

जब वे वहाँ पहुँचे, तो ऐसा प्रतीत हो रहा था मानो किसी प्रेत ने उन्हें अपने वश में कर लिया हो। उनका आचरण, उनकी चाल, उनकी गतिविधियाँ—सब कुछ अत्यन्त असाधारण था।

वहाँ उपस्थित सभी लोग आश्चर्यचकित हो गए। वे सोचने लगे—**”यह हमारे नारद मुनि को क्या हो गया?”**

उन्होंने क्या देखा?

**”भूमौ क्वापि स्खलति।”**

महल की ओर आते हुए वे बार-बार लड़खड़ा रहे थे।

**”पतति।”**

वे गिर पड़ते थे।

**”तिष्ठत्यचेष्टः।”**

फिर उठते, किन्तु उठकर एक स्तम्भ की भाँति निश्चल खड़े हो जाते।

अगले ही क्षण—

**”क्वाप्यनुकम्पं भजति।”**

उनका सम्पूर्ण शरीर काँपने लगता।

फिर—

**”लुटति।”**

वे भूमि पर गिरकर लोटने लगते।

फिर—

**”क्वापि रोदत्यार्तः।”**

वे अत्यन्त करुण भाव से रोने लगते।

और अगले ही क्षण—

**”क्वाप्याक्रोशं कीर्तिभिः।”**

वे ऊँचे स्वर से पुकारने लगते।

क्षण-क्षण में दृश्य बदल रहा था। अभी वे वीणा लेकर मधुर स्वर में गा रहे हैं, वीणा बजा रहे हैं, नृत्य कर रहे हैं, और अगले ही क्षण किसी अन्य भाव में प्रवेश कर जाते हैं।

यह सब किस कारण हो रहा था?

**”प्रेम-सम्पद्-विकारम्।”**

अर्थात् प्रेम-सम्पत्ति के प्रभाव से उत्पन्न दिव्य भाव-परिवर्तन।

क्योंकि उन्होंने कौन-सी सम्पत्ति प्राप्त की थी?

किस प्रकार की सम्पत्ति?

**प्रेम-सम्पत्ति।**

उसी प्रेम-सम्पत्ति के कारण उनके शरीर और भावों में ये समस्त दिव्य परिवर्तन प्रकट हो रहे थे।
**प्रेम-सम्पत्ति।**

प्रेम-सम्पत्ति के परिणामस्वरूप उनके व्यक्तित्व में ये सभी दिव्य विकार प्रकट हो रहे थे।

**”तस्मिन्नहनि केनापि वैमानक्षेण, हे मातरिदानीं त्वं सावधानतरा भव।”**

छठे अध्याय का वर्णन प्रारम्भ करने से पहले राजा परीक्षित अपनी माता से कहते हैं, **”हे माता! अब आप विशेष रूप से सावधान हो जाइए।”**

**”स्थिरतां प्रापयन्ती मां सधैर्यं शृण्विदं स्वयम्।”**

अर्थात् स्थिर हो जाइए, एकाग्र हो जाइए और पूर्ण ध्यान से बैठिए। **सधैर्यम्** अर्थात् अत्यन्त धैर्यपूर्वक। **”शृण्विदम्”**—अब जो मैं कहने जा रहा हूँ, उसे कृपया ध्यानपूर्वक सुनिए। यह केवल माता उत्तरा के लिए ही नहीं, बल्कि हम सभी श्रोताओं के लिए भी एक स्मरण है—**सावधान। साधु सावधान। वैष्णव सावधान।**

याद आता है कि जप की रिकॉर्डिंग में श्रील प्रभुपाद भी कहते हैं—**”Sit properly… Savadhan.”**

जैसे सेना या पुलिस के जवान परेड से पहले एकत्र होते हैं। वे आपस में बातें कर रहे होते हैं, उनका ध्यान इधर-उधर होता है। तभी उनका कमाण्डर आता है और सबसे पहले आदेश देता है—**”सावधान!”** बस उसी क्षण सब कुछ बन्द हो जाता है। सभी सीधे खड़े हो जाते हैं और अगले आदेश की प्रतीक्षा करते हैं। फिर आदेश आता है—**”Left… Left… Left… Right… Left…”** और सभी उसी आदेश का पालन करते हैं।

उसी प्रकार राजा परीक्षित भी अपनी माता से कहते हैं, **”माता! सावधान हो जाइए और अब जो मैं कहूँ, उसे ध्यानपूर्वक सुनिए।”**

जिस दिन नारद मुनि द्वारका पहुँचे, उस दिन की प्रातःकालीन बेला अत्यन्त विशेष थी। द्वारका में उस दिन कुछ असामान्य घट रहा था। विशेषकर श्रीकृष्ण के महल में वातावरण सामान्य नहीं था।

**”तस्मिन्नहनि केनापि वैमानक्षेण वैष्मणोऽन्तःप्रकोष्ठे सुप्तश्च प्रभोः पार्श्वं विहावसः।”**

उस प्रातःकाल भगवान श्रीकृष्ण किसी प्रकार की व्यथा में थे। वे जाग चुके थे, किन्तु अभी भी शय्या पर लेटे हुए थे। उन्होंने अपना मुख वस्त्र अथवा तकिये से ढक रखा था। वे अपनी प्रातःकालीन दिनचर्या भी प्रारम्भ नहीं कर रहे थे। जो लोग प्रतिदिन उनके दर्शन करने आते थे, उनका अभिवादन करते थे तथा राजमहल के कार्यों में सम्मिलित होते थे, वे सभी उस दिन भी आ चुके थे और प्रतीक्षा कर रहे थे।

उद्धव भीतर उस कक्ष तक गए जहाँ श्रीकृष्ण विश्राम कर रहे थे। उन्होंने समझ लिया कि इस समय भगवान एकान्त चाहते हैं और किसी से मिलना नहीं चाहते। इसलिए उद्धव बाहर लौट आए और महल के प्रवेशद्वार पर बने एक ऊँचे चबूतरे पर बैठ गए।

उनके चारों ओर अनेक महान व्यक्तित्व उपस्थित थे—**”बलदेव, देवकी च, रोहिणी, रुक्मिणी तथा।”** बलरामजी, माता देवकी, माता रोहिणी और रुक्मिणी देवी भी वहीं बैठी थीं। **”सत्यभामा आद्या अन्याश्च दिव्याः।”** सत्यभामा सहित भगवान की अनेक रानियाँ भी वहाँ उपस्थित थीं।

मानो उस प्रातःकाल का एक जीवंत चित्र हमारे सामने उपस्थित हो रहा हो। द्वारका… राजमहल… भगवान श्रीकृष्ण अभी भी शय्या पर हैं… उद्धव प्रवेशद्वार पर बैठे हैं… और उनके चारों ओर बलराम, देवकी, रोहिणी, रुक्मिणी, सत्यभामा तथा अन्य सभी रानियाँ उपस्थित हैं।

**”पद्मवती च सह।”**

वहाँ पद्मावती नाम की एक स्त्री भी उपस्थित थी। यह अधिकांश लोगों के लिए एक नया पात्र है। **”कंस-माता।”** वह कंस की माता थी। उसका नाम था—**पद्मावती।**

वह किस बात के लिए प्रसिद्ध थी?

**”प्रवृत्ति-हारिणी।”**

वह सदैव इधर-उधर की बातें करने वाली, गपशप फैलाने वाली और अफवाहें फैलाने के लिए प्रसिद्ध थी। **”दासीस्तथा पराः।”** अनेक दासियाँ भी वहाँ उपस्थित थीं और भगवान के जागने की प्रतीक्षा कर रही थीं, ताकि वे उनकी सेवा कर सकें।

यहाँ एक अत्यन्त महत्त्वपूर्ण बात का उल्लेख करना आवश्यक है। श्रील सनातन गोस्वामी ने केवल **बृहत् भागवतामृत** की रचना ही नहीं की, बल्कि उस पर स्वयं एक विस्तृत टीका भी लिखी, जिसे **दिग्दर्शिनी** कहा जाता है। अर्थात् उन्होंने अपने ही ग्रन्थ पर स्वयं भाष्य लिखा, जिससे पाठकों को विषय का और भी गहरा बोध हो सके। उसमें उन्होंने अनेक अतिरिक्त तथ्य, परिस्थितियाँ तथा छूटे हुए प्रसंगों को भी स्पष्ट किया है।

उसी प्रकार गोपी परानन्द प्रभु ने भी केवल मूल **बृहत् भागवतामृत** और उसका अनुवाद ही नहीं दिया, बल्कि **दिग्दर्शिनी** टीका के अनेक अंशों का भी अनुवाद सम्मिलित किया है। यद्यपि सम्पूर्ण टीका का अनुवाद नहीं हुआ है, फिर भी उसके कुछ महत्त्वपूर्ण भाग उसमें सम्मिलित हैं।

इसी टीका में यह भी बताया गया है कि उस दिन भगवान श्रीकृष्ण इतने व्यथित क्यों थे। राजा परीक्षित अपनी माता को आगे चलकर इसका कारण बताएँगे। अभी उन्होंने केवल इतना कहा कि भगवान श्रीकृष्ण किसी प्रकार की व्यथा में थे। उन्होंने जानबूझकर अधिक कुछ नहीं बताया, मानो वे सोच रहे हों—**”यदि मैं अभी सब कुछ बता दूँ, तो माता उत्तरा अत्यधिक व्याकुल हो जाएँगी। अभी समय नहीं आया है। आगे चलकर उचित अवसर पर मैं इसका कारण बताऊँगा।”**

इसी टीका में सनातन गोस्वामी पद्मावती के विषय में भी लिखते हैं। **पद्म पुराण** में उसका संक्षिप्त उल्लेख मिलता है। वह उग्रसेन की पत्नी थी और उसके पिता का नाम सत्यकेतु था। विवाह के कुछ समय बाद एक अवसर पर पद्मावती अपने पिता के घर गई हुई थी। उसी समय कुबेर का एक दैत्य-दूत, जिसका नाम **दुमिल** था, वहाँ आया। उसने उग्रसेन का रूप धारण कर लिया। उसने स्वयं को पूर्णतः उग्रसेन के समान बना लिया। पद्मावती ने समझा कि उसके पति उग्रसेन आए हैं, किन्तु वास्तव में वह कुबेर का दैत्य-दूत था। उसने पद्मावती को मोहित किया और उस अवैध सम्बन्ध से जो पुत्र उत्पन्न हुआ, वही कंस था। अब आप समझ सकते हैं कि कंस का स्वभाव वैसा क्यों था।

**”तूष्णीं-भूताश्च ते सर्वे वर्तमानाः स-विस्मयम्। तत्र श्री-नारदं प्राप्तमैक्षन्तापूर्व-चेष्टितम्॥”**

उधर सभी लोग पहले से ही राजमहल में उस असामान्य परिस्थिति से चिन्तित बैठे थे। भगवान श्रीकृष्ण जाग चुके थे, किन्तु शय्या से उठ नहीं रहे थे। तभी नारद मुनि वहाँ पहुँचे। उनके आचरण को देखकर सभी अत्यन्त आश्चर्यचकित हो गए। उन्होंने नारद मुनि को पहले कभी इस प्रकार व्यवहार करते हुए नहीं देखा था। सभी को स्पष्ट प्रतीत हो रहा था कि कुछ न कुछ अत्यन्त असामान्य अवश्य है।

महल में उपस्थित उद्धव, बलराम, रुक्मिणी तथा अन्य सभी सोच रहे थे—**”आज अवश्य कोई गंभीर बात है।”** किन्तु कोई भी यह समझ नहीं पा रहा था कि वास्तव में हुआ क्या है। वे समझ नहीं पा रहे थे कि आज भगवान हमसे मिल क्यों नहीं रहे, बाहर क्यों नहीं आ रहे।

इसी बीच उन्हें नारद मुनि के आगमन का भी सामना करना पड़ा। वे पहले से ही एक कठिन परिस्थिति में थे और अब नारद मुनि भी अत्यन्त असामान्य अवस्था में वहाँ पहुँच गए।

**”उत्थाय यत्नादानीय स्वास्थ्यं नीत्वा क्षणेन तम्।”**

नारद मुनि को देखते ही सभी उठकर उनके स्वागत के लिए आगे बढ़े। उन्होंने कहा, **”आइए… आइए… कृपया इधर पधारिए।”** वे उन्हें आदरपूर्वक महल के प्रवेशद्वार तक ले आए। फिर उन्होंने बड़े प्रयत्न से उन्हें शान्त करने का प्रयास किया। उनकी स्थिति सामान्य करने का प्रयास किया। उन्होंने उनके मुख पर बह रहे आँसुओं को वस्त्र से धीरे-धीरे पोंछा। और जब वे कुछ शान्त हुए, तब अत्यन्त कोमलता और विनम्रता के साथ उनसे बातचीत प्रारम्भ की।

**”शनैल्लघु…”**

अर्थात् उन्होंने अत्यन्त धीरे, कोमलता और प्रेमपूर्वक उनसे बात की।

उन्होंने क्या कहा?
**”अदृष्टपूर्वमस्माभिः कीदृशं तेऽद्य चेष्टितम्।”**
सभी ने नारद मुनि से कहा, **”आज आपका यह व्यवहार कैसा है? हमने आपको पहले कभी इस प्रकार नहीं देखा। आपका आचरण आज इतना असामान्य क्यों है? अचानक ऐसा क्या हो गया? आज आप जिस प्रकार व्यवहार कर रहे हैं, वैसा हमने अपने जीवन में कभी नहीं देखा।”**

**”तूष्णीमुपविशाक्षणम्।”** उन्होंने अत्यन्त विनम्रता से कहा, **”कृपया यहाँ बैठ जाइए। पहले शांत हो जाइए… शांत हो जाइए।”** इस प्रकार वे नारद मुनि को बैठाते हैं।

**”सद्गद्गदमुवाच अश्रुधारा-मिलितालोचने यज्ञादुन्मील्य नत्वा सकम्पं पुलकाचितः।”**

तब नारद मुनि गद्गद कण्ठ से उत्तर देने लगे। कुछ क्षणों के लिए उनके शरीर में जो प्रेम के लक्षण शांत हो गए थे या मानो भीतर दब गए थे, वे जैसे ही उनसे पूछते हैं—**”क्या बात है? आप इस प्रकार क्यों व्यवहार कर रहे हैं?”**—वैसे ही वे पुनः उसी प्रेमावस्था में प्रवेश कर जाते हैं। उनका शरीर फिर से काँपने लगता है, आँखों से अश्रुधारा बहने लगती है और उनके शरीर पर रोमांच प्रकट हो जाता है।

**”नारद उवाच।”**

अब नारद मुनि अपने इस विचित्र व्यवहार का कारण बताने लगते हैं। वे कहते हैं, **”देखिए, मेरे पास कोई विकल्प नहीं था। ऐसा नहीं है कि मैंने जानबूझकर कुछ किया हो और इसलिए मेरी यह अवस्था हुई हो। मैं आपको बताता हूँ कि मेरी इस दशा का वास्तविक कारण क्या है।”**

समय कितनी शीघ्रता से बीत जाता है, विशेषकर जब भगवान की कथा का आनन्द मिल रहा हो। नारद मुनि को हस्तिनापुर में सुनी हुई बातें स्मरण आने लगती हैं। उन्हें पाण्डवों द्वारा उद्धव की की गई महिमा याद आने लगती है। उन्होंने उद्धव के विषय में कहा था कि वे **”कृपा-भाजनम्, सौभाग्य-एक-भाजनम्”** हैं—अर्थात् वे भगवान की कृपा के वास्तविक पात्र हैं, भगवान के सबसे अधिक सौभाग्यशाली और अत्यन्त प्रिय भक्त हैं।

नारद मुनि विनती करते हुए कहते हैं, **”कृपया… कृपया मेरी उद्धव से भेंट करा दीजिए।”**

किन्तु उनकी स्थिति ऐसी थी कि वे स्वयं आँसुओं से इतने अभिभूत थे और उनका शरीर इतना काँप रहा था कि उद्धव उनके ठीक सामने उपस्थित होने पर भी वे उन्हें पहचान नहीं सके। इसलिए वे बार-बार निवेदन करने लगे, **”मैं उद्धव से मिलना चाहता हूँ। क्या आप कृपया मेरी उनसे भेंट करा सकते हैं?”**

फिर उनके मन में दूसरा विचार आया। उन्होंने कहा, **”यदि यह सम्भव न हो, अथवा मैं उनके दर्शन के योग्य न हूँ, तो कम-से-कम…”**

**”तदीय-पादैक-रजोऽथवा भवेत्।”**

**”उस महान भक्त उद्धव के चरणों की थोड़ी-सी धूल ही मुझे मिल जाए। क्या आप कृपया उनके चरणों की कुछ धूल ला सकते हैं?”**

फिर वे कहते हैं—

**”तदैव शान्तिर्वत मे अन्तरात्मनः।”**

**”यदि मुझे उनके दर्शन मिल जाएँ, और यदि दर्शन भी न मिलें तो कम-से-कम उनके चरणों की धूल ही प्राप्त हो जाए, तो मेरा अन्तःकरण पूर्णतः शांत हो जाएगा। मैं तृप्त हो जाऊँगा, संतुष्ट हो जाऊँगा और मेरे हृदय को शांति मिल जाएगी। कृपया… कृपया किसी प्रकार मेरी उनसे भेंट करा दीजिए।”**

इस प्रकार नारद मुनि अपने इस विलक्षण व्यवहार का कारण बताना प्रारम्भ करते हैं। वे विस्तार से समझाने लगते हैं कि ऐसा क्या हुआ जिसके परिणामस्वरूप उनकी यह असाधारण अवस्था हुई। आगे वे उस सम्पूर्ण घटना का वर्णन करेंगे—हस्तिनापुर में क्या हुआ, उन्होंने क्या सुना और किस प्रकार वही सब उनके हृदय में महा-प्रेम का ज्वार बनकर उमड़ पड़ा।

जैसा कि इससे पहले जिन-जिन भक्तों से भेंट हुई, प्रत्येक ने यही कहा था—**”नहीं… नहीं… मैं नहीं। मुझसे भी श्रेष्ठ कोई और है।”**

उसी प्रकार अब उद्धव भी यही कहेंगे—**”नहीं… नहीं… नहीं… मैं नहीं। व्रजवासी, वे ग्वालबाल, भगवान के माता-पिता, गोपियाँ और विशेष रूप से श्रीमती राधारानी ही भगवान के सर्वाधिक प्रिय हैं। वही समस्त भक्तों में सर्वोच्च हैं।”**

इसके बाद अन्य भक्त भी अपने-अपने विचार प्रकट करेंगे। बलरामजी बोलेंगे। माता रोहिणी भी अपनी बात रखेंगी। पद्मावती भी इस वार्तालाप में अपना योगदान देंगी।

और जब यह सम्पूर्ण चर्चा चल रही होगी, तब एक अत्यन्त महत्त्वपूर्ण बात घट रही होगी।

यह सब कौन सुन रहा होगा?

भगवान श्रीकृष्ण।

वे वहाँ से दूर नहीं हैं। वे भीतर ही यह सम्पूर्ण वार्तालाप सुन रहे हैं।

फिर उनके भीतर क्या घटित होगा? उनके हृदय में कौन-कौन से भाव जाग्रत होंगे? उनके शरीर में किस प्रकार के दिव्य परिवर्तन प्रकट होंगे? और अन्ततः जब वे शय्या से उठेंगे, तब वे क्या कहेंगे? वे क्या करेंगे?

हमारे सामने अभी अत्यन्त अद्भुत, गहन और भावपूर्ण लीला का एक विलक्षण नाट्य आगे प्रकट होने वाला है।

Title – The Unmatched Love of the Vrajavasis transcription
Date of uploading on YouTube – 11 June 2026
Speaker – HH Lokanatha Swami Gurumaharaj

Thank you for joining us again today.

We’ll continue where we left off yesterday. So yesterday Narada muni traveling all over. He has reached where is Narada muni now? Where? was in Dwaraka and uh what time of the day did he arrive there? Morning hours and uh there was no need to guide him to get to the palace of Sri Krishna because he had been there many times.

And how did he look like? Looked like a ghostly haunted mad man. And where is Krishna? He’s in the palace in his chambers still in the bed. He has not done early to bed and early to rise makes person healthy, wealthy, wise.

He’s just lying on and uh Udhava has he normally would sit next to him next to  his bed but that day he wanted to leave Krishna alone. Krishna was not in not in good mood. He was in some kind of distress.

So Uadhva was sitting at the entrance of the palace and he wasn’t alone. There were several other members including Balaram and Rohini and Rukmani and Satyabhama and Kamsa’s mother. Remember her. And there he comes. They all noticed. And then they got up, received him. wiped his face, calmed him down, made him to take seat and as they inquired  something.

So as so then he started speaking and as he begins giving explanation of the state of his mind’s affairs and why he had been acting like a mad man. So as he started to speak again the emotions ecstasies are roused and uh his eyes are again full of tears and he begins glorifying Udhav and he said I would like to could you please bring me to Udhav help where is Udhav is he here could I see him.

He wasn’t very far he was right in front but he could not recognize because his eyes were also full of tears and not able to see and things are not normal then he also was thinking oh maybe uh I don’t deserve meeting with such a exalted most favored devotee of Krishna so could I at least have a little dust   if not meeting face to face at least at least get me dust of his feet and that it will atleast pacify me and  I will attain Shanti

And then he talks on of his realizations of Uddhav. He says this world has never ever seen devotee like  Uddhav. Nobody in the distant past and at the present moment means those who are in Dwarka . No one has received  the benediction as much as or favors as much as Udhav has received.  amongst the bhagawatas. Mahabhagatas is mahatam is the topmost. He is mahavibhuti. Bibbuti the full of opulences great soul and he says uh this is not just what I say or I have heard but the Lord himself has talked in these terms about.

Lord had or has Tanaya sons like Brahma and others and he has brothers like Shankarashan  Balram and others.  he has friends like Shiva and others and he has bharya wife like Rama Lakshmi but Lord has said that he thishav is priyatamaha Ah because other devotees are pri dear to me but  Uddhav is priyatam and that’s the title of this chapter also this is the sixth chapter of the first part of bhagat amrit called priyatam.

Lord even once said and not even more he is more dear to me than myself and he has said that. So in the commentary on this verse who is commenting who wrote the commentary on Brahad Bhagwat Amrid Sanatan Gowami himself auto commentary. So he is commenting and he quotes from 11 canto wherein Lord said my dear Udhaav  neither Lord Brahma Lord Shiva Lord Shankarshan the  goddess of fortune nor indeed my own self is as dear to me as you.

So that’s supporting statement of what Naradamuni said. This is what supports Lord’s own statement. So Lord’s this vachan this statement and vachanani many other statements from the past from the scriptures reveals the great good fortune of Udhav how is a most favored most dear devotee.

And these days The descendants of Yadu dynasty they also sing glories of exalted position of Uadhav they know they know Uadhav how much dear he is to the lord. This is Naradamuni talking to all those who are assembled there. And in that assembly, of course, Udhav is sitting right there in the midst of those dwarkavasis.So when I heard about Udhav, his glories there in Hastinaur, Pandavas said so much about Udhav.  I was open-minded and my so all that they said entered my the karnadvar the entrances of the ears and that reached my heart and all that reached my heart kind of attacked my heart invaded my heart pervaded my heart, took over my heart.

And that plundered my being sober, being steady, being fixed and all that. There was no more. After I heard, I became agitated. I became ecstatic and excited. And as a result, I have ended up here in Dwaraka.

Again, in the commentary, Sanatan Gowami is quoting another verse. This is again in 11 canto 11.11.49.

before Lord you know they say you heard what is the name which is that is in the 11th canto is a Bhagat Gita that song of God has name of Krishna Bhagat Gita that’s Krishna’s name the other Gita the speaker is is Krishna same speaker but that Gita gets the title the name what that becomes Buddha Gita this is Bhagat Gita as Uadhav gita.

So there Lord like in Bhagat Gita in the middle I think it’s third or fourth chapter Krishna said you are very dear you remember I’m going to speak very confidential things to you Arjun and why to you because you are my saka bhaktah and sakah you are my devotee and friend very dear that’s why I’m going to reveal the confidential truth unto you.

So Krishna said that Arjun in Bhagvat Gita but Uddhav Gita he said that similar thing to Udhav and oh beloved Yadhu beloved of Yadu dynasty because you are my servant one  you are my well-wisher two and my friend I shall now speak to you the most confidential knowledge. Please hear as I explain these great mysteries to you.

So this is yet another statement in the words of Lord Sri Krishna himself where he glorifies Uadhav and expresses his affection, love, confidence, friendship he has with Uadhav

So when uh would have heard all this from Narada muni, he couldn’t understand it. Like the previous persons yesterday we we mentioned how he went to he went all over starting with Priyag then South India then to Amaravati. Where is Amaravati? Capital of Indra is called Amaravati.

Then he goes to Satya. That’s brahaloko goes to kalash goes to vaikunth from there he goes to sultal planet from there he goes to where hanuman resides like that so as he was meeting those devotees and glorifying them each one of them said no no no no not me nar [music] is someone you have more dear than myself so please go to them [clears throat] meet them.

The same thing happened here. Uadhav also doesn’t admit no no there is someone more dear in my opinion my understanding there is yet another one not just one but many many of those very favorite most favorite devotees and thinking like this was thinking like this he gets up he goes forward he grabs the feet lotus feet of naradmuni.

He takes all the dust kind of embraces feet of of Naradamuni while he is remembering those prashad bhagan those who received prashad the benediction more special benediction and as he’s thinking of those devotees of course he’s thinking We have devotees in Vrindavan brajabasis he’s thinking of there are different kinds from brajabasis devotees in sakhaya rasa some vatsalya in some full maduraya.

He has all the he’s feeling fallen or I am fallen compared to them I’m I’m at lower low class heina Dina and thinking like this he’s remembering those devotees he begins now shedding tears and…emotion mentioned here.

Out of transcendental or sattvic jealousy is jealous but this is not mundane or envy, jealousy governed or caused by passion or ignorance or in goodness could also  be there but this is satvik sattvik bhav has aroused and is feeling jealous.

Go there is so much here I’m just throwing few drops just sprinkling after arti they throw a few few drops there’s a ocean here there’s a sindu here I’m just sharing some bindus bindus from their shindu there ocean but this is just few drops I’m missing so much I’m skipping so much and not that I’m grasping or understanding so much also. So just touching just floating at the surface trying to dive but we could only dive deeper as per our capability as different birds could fly at different levels only sparrow has its level and the guru has its another and like that.

So Sanatan Gowami says the bhav of jealousy. He explains that intolerance of others good fortune. I read somewhere else others progress elevation you cannot tolerate I can’t stand it you can’t stand it that’s called jealousy rather in this jealousy. Listen to this.

He entered is the difference between the worldly jealousy being jealous and the jealous nature of the transcendentalists. In the jealousy he entered even deeper into the trance of his attraction to Krishna. Just as devotees in the conjugal mood become even more blissfully attached to Krishna when jealous of his other lovers.

Okay, even if you don’t get all that in first reading, you’ll have to go back. Homework for you to understand, realize or accept this as a truth. And then realization is yet another. Accept this as a truth. This is this is a gyan. And then from gyan we have to transform that into the vigyan realization, practical application or assimilation. So we do not only want to store this as information or just a knowledge gathering.

The goal is to assimilate transformation. Not just information, lot of information, information technology these days. But where is a transformation? We would like to see transformation of our hearts, our consciousness which Prabhupada used to  call as a revolution in consciousness.

And now he Udhav is speaking, addressing Narada Maharaj.

He addressed Naradamuni in four addresses, four ways. There must be reason why he is saying each one of this.

Sarvagya means you know everything. You know everything. But what you just said is not right. But you know what is right. But why are you talking like this? That I am most favored? No, this is not right. You are Sarvagya. I know you know. I know you know. You must know who is most favored.

Your statements are stressed at the topmost. You are Mahamuni, again stressed. Mahamuni, amongst you are not only, but you are Mahamuni. Maharati Prabhu, you are my master and you have said, you have written, written so much and you have spoken so much about this path of Bhagwat Bhakti.

Bhakti Sutras, huh, Narada Bhakti Sutra. Sutra is famous. You were there  Narada kund not far from Govardhan Hill. You know you are also aspiring to join the rasa dance considering that to be the topmost. Was Chaitanya Mahaprabhu and He appeared to deliver that.

All you just said about me and more is just evident, is self-evident to me. I knew it was true before you said it and so did others.

The commentary Sanatan Gowami writes, “O knower of everything,” because Narada Muni was addressed as Sarvagya, meaning “O knower of everything.” This quote unquote hints that Narada is aware of who indeed are Krishna’s most favored devotees led by the divine Shrimati  Radharani.

And then he’s going to share his firsthand experience.

He said, “Very recently I went to Vrindavan. I was in Vraja.” Well, while on the way to Vrindavan, I was also thinking, I was kind of proud of my very special position. How Lord loves me the most, and most every devotee, and I was thinking like this and my pride had reached the sky, sky was the limit, like a mountain Meru. That was the height of my thinking, “Oh, me, must be special one, chosen one.”

But then he says, “As I reached Vrindavan and what I experienced there, immediately my mountain Meru-like pride crumbled and crushed, became a pile of dust.”

If you take Ayurveda medicine this is churna, right? Powder, churna. Oh, my pride became churna like that, crushed before he visited Vraja. Same thing.

So then he said, “Oh, that was amazing sweetness that I experienced or I understood.”

What was maya gata madhuri?

Maya by me gata. I realized. What did I realize? Madhuri, the sweetness.

I experienced sweetness of what?

And he mentions three items here:

The amazing sweetness of Krishna’s mercy—that’s one thing.

Amazing sweetness of love for Him, love for Krishna—that is also this amazing sweetness.

Amazing sweetness of love for Krishna, mercy of Krishna, receiving and then reciprocating, loving Krishna.

There’s this amazing sweetness.

And third thing—amazing sweetness of those who possess that love, meaning devotees, devotees of Vrindavan.

Amazing sweetness of those who possess that love.

So as Uddhava was talking like this, he doesn’t want to talk more about these matters of what he experienced. He just said quickly in a condensed form,

And then says, “You know, I offer my obeisances unto you again and again, O Narada. Let us not pursue this path. Let us not talk more about these matters. Let us give viram. Let us stop talking about this, about topics, about the rasa, this topic about Vraja, and Venu, and Dhenu, and Renu.”

Renu—the dust of Vrindavan.

Venu—the flute of Sri Krishna.

And all these talks full of rasa. O rasika, let’s put a full stop to these talks.

The reason being, he is thinking that if we continue talking, certainly talks about the gopis and Radharani and their loving dealings with Krishna and Krishna’s special favors for the gopis and especially Radharani.

If these subject matters are spoken in the assembly here, who is sitting? The queens of Krishna from Dwaraka are here. How would they feel if they hear that their husband has yet another lovers and He loves them more than us?

Now, this won’t be appropriate.

That’s one concern.

The other concern is one of the persons in the audience. He’s not sitting right there, but not far on the bed. He’s lying, but he’s not sleeping. He’s up. He’s hearing.

And if he hears about the residents of Vrindavan and hearing about the gopis and Radha, oh, he’s going to go deeper into that distressed state of his mind. It’s going to be further agitation. So better not talk more of these matters.

Therefore, anyone familiar with Bhagavat Amrit knows, this is again Sanatan Goswami’s commentary, knows very well that Uddhava said what he said and did in Vraja and what confidential ambition he revealed there.

It is no secret that Uddhava discovered in Sri Vraja Dham that the gopis, headed by Sri Radhika, are the most intimately favored by Sri Krishna, more than himself.

But in the present company, Uddhava wanted to avoid pursuing this topic.

Parikshit said to… because everything is Parikshit. [music]
Even what Narada Muni said and then Uddhava said and this person said and all this is spoken by Parikshit Maharaj unto Uttara.
And where is this happening, this dialogue?
On the bank of which river?Ganga.
Where? Which Ganga? Which part of Ganga’s bank?
Shuktal.
Hastinapur, just outside Hastinapur.

Title – The Mystery Morning in Krsna’s Palace

Parikshit said, and he’s speaking to whom?
Whom is he speaking to? Uttara… Uttara.
Mother Uttara. His mother, Parikshit’s mother.

“Tat krsutvā mahā prema rasāveśyanantitā
Mahavishnu priya vināhāsto vismitāh kilaḥā.”

He says, “aaiye” addressing his mother:
Oh noble lady, when Narada Muni heard in Hastinapur, he heard about that uh devotee, he rushed to Dwaraka. “Mahā-prema āveśena yantritāh”.
So when he had heard about Uddhava, Pandavas had really glorified Uddhava. By hearings about Uddhava, qualities of Uddhava, devotion of Uddhava and Uddhava, Uddhava.
“Mahāprema rasa āveśena.”

He became full of mahāprema rasa. No translation required. Oh, this is better to say mahā-prema-rasa. Mahā-prema-rasa. Āveśena – āveś. He was filled with mahā-prema-rasa and now this mahā prema rasa, the source of Uddhava was now controlling him, handling him. He was being governed by those mahā-prema-ras was yantritah. He had no freedom. He was governed by what? Mahā-prema-rasa was making him dance or talk or do whatever. He had no freedom. He was just mahā-prema-rasa-āveśena yantritah. Mahavishnu priyah – Mahavishnu is described as Mahavishnu priya. Mahavishnu or Badri Narayan priyah he’s that level bhakta, devotee.

He had a veena in the hand, but because he was overwhelmed with this devotional ecstasies and feelings, and he although he was holding, but he was not able to play. He was so excited and he’s running, jumping, rushing to:

“Sadāt dwāravati vās-abhyāsat.” So he has reached Dwaraka and going… go straight. No, no one is telling him go. He just goes straight, turns left, right there, and he ends up right in front of palace of Shri Krsna. How did he manage? He did not stop and, “hey please tell me which way to go I want to go to Krishna’s palace.” He did not inquire but he reached exactly in front of the palace of the Lord. The reason being, he had visited he had visited Dwaraka many times in the past. So he knew how to get there. “Abhyasta” – he had practiced going there. In Bhagavatam we know how many times, or quite often, he would go. Narada Muni would go one time he went, he was going door to door, home to home, to see whether queens are happy,how are the affairs? and uh… so because of his frequent visits of Dwaraka, previous visits, he was able to reach the final destination, which was for him, Shri Krsna in Dwaraka, in one of his palaces.I just reminded somebody 40 years ago I heard this in London. The devotees were someone has died and they were driving to the cremation ground and they were being guided by a GP. Yes. What? GPS. Yeah. So go turn 5 kilometers this way. Turn there [unclear] and when they reached at the cremation ground, the GPS said, “You have reached your final destination.”[Devotees laughing]. You know devotees had heard this many times before, but today, that day, they really heard this: “You have reached your final destination.” This is where finally you went. Narada Muni’s final destination was Shri Krsna, his lotus feet. So he has reached there.“Prabhu Prāsādād” Prabhu prāsād. Prasād is the palace. It’s amazing how he reached because he had gone there many times in the past.

“Bhuta viśtaha, Mahāunvāda grahitāśtha yathetaraha” – and when he reached there he was like a ghostly haunted person. The way he was acting and behaving and doing all sorts of things, all assembled there. Wha… Wha… Wha… What is happening with our Narada Muni? So what was what did they see? “Bhumo kvāpī skalati” – Narada Muni was while trying to come in that direction, to reach that palace, they were watching him coming he was stumbling, you know, he was tripped “Patati” – He was falling down “Tiṣṭhati aceṣṭaha” – and then getting up but once he’s up, he’s just motionless like a pillar. The next moment, “kvāpi anukampam bhajati” – the next moment his body is trembling, shaking like [unclear] then next one “luṭati” – he collapses and begins rolling on the ground “Kvāpī rodati ārthaha.” The next moment he is crying in a great distress. “Kvāpī akrośām kirtibhihi” – and then other moment he is shouting out loud. Scene is changing from moment to moment the next moment he is with his veena and singing nicely, singing, playing his and also some nityam, gāyan he is also dancing and this is all happening because: “prema sampad vikāram” – prema sampad vikāram. Because he had acquired the sampatti, the wealth of what? What kind of wealth? Prem sampatti. Prema sampatt as a result, all these transformations – vikār – were taking place in his personality.“Tasmin ahani kenāpi vaimānakśena, hey mātara idānītvam sāvadhānatarā abhava.” as he was about to, King Parikshit was about to begin his narration of this sixth chapter. He says: “My dear mother, pay full attention, be attentive.” “Stheratāṁ prāpayanti māṁ sadhairyam shṛṇu idam svayam” – be steady, fixed, focused. Sadhairyam – with all patience.

“Shruṇa-idam” – what now I have to say, please listen to this so it’s also a reminder for us, the listeners, savadhan… Sadhu Savadhan, Vaishnava Savadhan. Now he’s getting savadhan. Hmm… in that chanting tape Prabhupad says, sit properly – savadhan. The army people or policemen you know just before their parade or something, cause they assemble and they’re talking to each other, gossiping in spaced rows, and their commander comes and first thing he says is “Savadhan.” then immediately all those, they stop everything else, ready for the next command. He says left, left, left, right, left. Then they all follow their command, says Savadhan so king Parikshit was – “Mother, sāvadhānataā bhavā” – Be savadhan, and listen to this. The morning that Narada Muni arrived in Dwaraka, that day was very special or unusual morning in Dwaraka. For Dwaraka-vāsis in Krsna’s palace, something abnormal was going on. “Tasmin ahani kenāpi vaimāna-kṣena vaiṣmaṇaha antaḥprakośthe suktaśchaprabho-pāśvam vihāvasaha.” so that morning Lord Shri Krsna, he was in some kind of distress he was suffering he was, he was up, he had woken up, but he was still lying in the bed with his face covered with cloth or pillow and he was not doing the morning chores and he was not doing that and all those who normally come and greet him, meet him and take part in palace um affairs and activities, they all had come or they were all waiting Uddhava – he had gone in the inner chamber where Krsna was sleeping but not up. Realizing that he wants his own time, space, doesn’t want to be disturbed, Uddhava goes outside and he sits at the entrance of the palace where there’s some kind of raised terrace kind of arrangement he’s sitting there around him are: “Baladeva devaki cha rohinī rukmini tathā” – these personalities are also sitting. You’re painting a picture of that morning. Yeah. Dwaraka, the palace, Lord Krsna is still in the bed, Uddhava. Where is Uddhava? At the entrance and he’s surrounded by Balaram, Devaki, Rohini, Rukmini, “Satyabhāmā Ādhāyā anyāścha divyaha” – and there are many queens have also come, including Satyabhāmā, which is one of the big names among the queens.“Padmavaticha sahaha” – and there is a lady called Padmavati. There’s a new character for most of you. “Kamsa māta” – she’s the mother of Kamsa her name is Padmavati and what is she like? What is she known for?

“Pravṛttihāriṇī” – she always like to gossip famous for prajalpa, spreading rumors.“Dāsīs tathā paraha” – and so many ladies, dāsis, are also sitting around, waiting for Lord to get up so that they could serve. Yeah, I did not mention one thing very important – Sanatan Goswami, not only he wrote or compiled Brihad Bhagavatamrit text but then he wrote a commentary called auto auto-commentary. He wrote a commentary on his own work, his own scripture called Dig darshini, so that the readers will have a deeper understanding of the subject matter, giving additional information, facts, circumstances, missing links so Gopi Paranand Prabhu also has not only given the original Brihad Bhagavatamrit text and translation of it, but there is also commentary has been not fully completely translated but partially some parts of the Dig darshini commentary is also included the commentary of this verse is precisely why Krsna was disturbed Parikshit will reveal to his mother a little further on in his narration. So only mentioned that Krishna was disturbed and King Parikshit did not say more he wants to save this for a little later, thinking if, “Oh, I say everything now to my mother Uttara will be disturbed this is too early. I will reveal this a little later on.”and in the same commentary Sanatan Goswami writes about this famous or infamous character Padmavati.

In Padma Puran there’s a little mention that, uh yes, she’s was Ugrasen’s wife and her father is King Satya Ketu. So one time Padmavati had gone to her father’s place sometime soon after the marriage with Ugrasen and there comes a messenger of Kubera, who was a demon called Dumila, and he had disguised himself as Ugrasen he was looking, he did all makeup huh, like Ugrasen and Padmavati thought that this is my my husband coming, but he was the demon, demoniac messenger of Kubera so he came and did his business. He seduced her and the child born of this union illicit union was Kamsa. Now you know why Kamsa was,what he was.

“tūṣṇīṁ-bhūtāś ca te sarve vartamānāḥ sa-vismayam
tatra śrī-nāradaṁ prāptam aikṣantāpūrva-ceṣṭitam”

When then all saw, they all were sitting waiting already, going through the special extraordinary situation at palace. Sri Krsna was up but not getting up, not leaving the bed they were facing their situation and there comes Narada Muni and they were surprised the way he was acting and they had never seen him acting like the way he was acting that morning. It was obvious to them that something was seriously wrong. All the residents of that palace, Uddhava and Balaram and Rukmini and others, they thought there is something seriously wrong, but they could not discern exactly what, they could not come to any conclusion what is wrong today why is our Lord not getting up, meeting us, greeting us, involving us with? Nonetheless, they now had to attend to Narada’s arrival. They were already in some kind of trouble, and here is another one. Here comes Narada and he’s also acting very abnormally and then they have to face that situation.

“utthāya yatnād ānīya svāsthyaṁ nītvā kṣaṇena tam”

So when they saw Narada Muni, they all got up and went forward “This way please come, please come.” and they brought him to that entrance. They were themselves waiting at the entrance and as well they had to make a very special effort to calm him down, normalize him they took a cloth and wiped his face, which was all wet with the tears, and then gradually they started addressing, talking with Naradji.

“Śanaiy laghu” – Gently and simply they spoke. What did they speak?

“adṛṣṭa-pūrvam asmābhiḥ kīdṛśaṃ te’dya ceṣṭitam” – says never ever we had seen you the way you are looking today. “Ceṣṭitam” – your behaviour. What happened? Suddenly what happened? Never in the past we had seen, but today you are acting like this. “Tuṣṇīm upaviśākśanam” – Please sit down here. Please sit down here quietly. Calm down, calm down and he is made to sit down.

“Sadgadgadam uvāca Aśrudhāra militālochane yajñādunmilaya-natvā sakampam pulakāchitaha”

Narada replied in choking voice. I mean he had all the symptoms were kind of subdued or withdrawn but as soon as he was asked, “What is the matter? Why are you acting like this?”
As he wanted to respond, immediately he reverts back into the previous mindset and all the symptoms are again becoming visible – body begins trembling and tears are there.

“Narada uvāca” – and Narada now explain, give reason why. Well, I said I had no choice, you know. And it’s not I did not do anything so that I would act the way I am acting. But I will tell you what is the cause why I’m acting up. Time flies when you have fun, time flies. So Narada Muni is remembering what he had heard in Hastinapur, what Pandavas had said about Uddhava. He is the one that Buddha is – he’s “kṛpā bhājanam, saubhāgya eka bhājanam.” He is the one very fortunate, most favourite devotee of the Lord and Narada Muni says, please, please arrange my meeting with Uddhava. Trouble is when he was full of tears and trembling and all, although Uddhava was right in front of him, he did not recognize him and says: “I wanna meet Uddhava, could you please arrange my meeting with Uddhava?”

Then his second thought is, “Oh if that is not possible or maybe I don’t deserve meeting with him then atleast “Tadīya-pādaika-rajo athavā bhavet” – atleast some dust from the feet of that great devotee Uddhava. Could you please get me some dust from his feet?

“Tadaiva śāntirvata me antarātmānaḥ” – If I get either darshan, if not darshan atleast dust, then I will be peaceful, I’ll be pacified, satisfied.

Oh please, please get my [unclear] arrange my darshan with him and like that Narada answered this question about cause of his strange behaviour. He started explaining the reason for his strange behaviour. He’ll be talking more what transpired, what happened, which resulted in his strange behaviour.

Yeah, so Narada Muni will be sharing and then Buddha, like previous those devotees, each one, “No…no… not me, you know there’s someone else.”

So Buddha is also going to say, “No… no… no… not me. Those Vrajavasis, those cowherd boys and parents of Lord and the gopis and the Radharani, they are the priyatam. They are the greatest of all devotees.” and then others will also be talking. Balaram is going to talk, rohini is going to be speaking, padmavati is also going to contribute and while all they are talking who is hearing? Lord Sri Krishna is not far from there is listening to all of this. Then what happens to him? What is transpiring and transformations and finally when he gets up what would be he be talking and doing? There’s quiet a drama ahead of us…